October 2026 progress report.

Oct. 16th, 2026 09:02 pm
numb3r_5ev3n: 7 from Matrix Online (Default)
[personal profile] numb3r_5ev3n
I'm struggling with writing a regular entry. Because I am, as The Kids say, Crashing Out.

Work is an absolute nightmare. Every day I fantasize about ragequitting and just driving out to the lake and planning what I'm going to do with the rest of my life from there. "Driving to Seattle or San Francisco and living in a commune" sounds romantic, but not very realistic.

I've been binge-listening to old recordings of Terence McKenna again, and thinking about how nice it would be to become a professional psychonaut like he was. Maybe in the era of Trump and the Social Media algorithm, it is time once again to Turn On, Tune In, and Drop out.

I have cut out nearly all social media, and I'm trying to limit my time on tumblr just a few hours a week. Because while issues with retaining stuff I read is a known ADHD symptom, I didn't really start to have problems with it myself until the advent of scrolling social media. Which means this has been an ongoing thing for nearly 20 years now. I can read fiction just fine, but I struggle with nonfiction, and I'm trying to fix this. Books that engage the reader directly in a conversational voice are easier than those that don't.

But it's terrible, because I can remember the time when I used to be able to read two or three books a week. And I never really wanted to admit it was a problem when it started to become a problem, or deal with it (because that would mean admitting it had become a problem.) I'm hoping that this is something I can build back up like a muscle.

I need to cut out youtube unless it pertains directly to something I am focusing on or working on, particularly short form videos.

So much stuff seems to be clickbait now. I hate that I can't tell how much of the projected Blue Wave midterm results are real or not, or if we're being psyopped. I've heard "we might flip Texas blue!" so often since 2016 that it feels like a put-on. Don't get me wrong, I got my voter registration sorted out right after I moved back at the end of June, and I'm early voting at the first opportunity I get. I'm just not expecting a miracle. Maybe we flip a few seats. Maybe we get a few people in who aren't Nazis. Maybe even enough people to start impeachment proceedings. I'd settle for that.

Also: I have no interest in remaining on any Web 2.0 social media if they are going to start livestreaming executions. I don't want to be anywhere where I might see anything like that. I heard today that they are no longer planning on doing this with the Fort Hood shooter. Which is a good thing if it's true, despite what he did. We don't need to turn into a place that does public executions. America's soul already isn't going to survive what MAGA is doing to it, but it's stuff like that which indicates a turn from a failed Democracy into a full-blown Banana Republic.

Tiktok is of course Right Out.

But I need to apologize to all my friends here. Back last June, I rejoined Reddit just to engage with the tech community, and it ended up eating my life to the point of basically being a second job again. So I deleted it for real this time. And I know I suck at keeping up with people at the best of times, and it must feel like I fell completely off the map again and stopped responding to people. But for a few months, Reddit was all-consuming. And it became all-consuming to the point of missing the emails that my cyberalfheim website domain was about to expire. And now I have to deal with the fact that it may have been picked up by either an AI or someone who is opposed to what I was doing with it.

The material is still up at neocities, but this sucks and I hate it that this happened. Six or so years ago I was considering giving it up and just merging that content on with the stuff already at Cyber Arcadia anyway, but I'm sorely tempted to finally dust off the dragoncourt dot org domain I bought three years ago and move it there, no matter who it may piss off.

In other news: I have watched the new Avatar spinoff (Seven Havens) and it's great! It's so obviously influenced by the art style of Jean Giraud/Moebius! It's totally worth seeing. So is American Horror Story's 13th season. Some folks on tumblr are complaining about it, particularly its continuity with past seasons. But I'm just enjoying the ride.

A few fall anime

Oct. 16th, 2026 05:55 pm
petrea_mitchell: (Default)
[personal profile] petrea_mitchell posting in [community profile] anime_manga
I only checked out three premieres, but two of them led to shows that are really engaging my brain.

One is The Seven Knights of the Marronnier Kingdom. Despite its laid-back fairytale vibe, it's actually been able to throw a lot of information into the first couple episodes without feeling infodumpy. Two of the seven brothers have complicated romances going on, the backstory owes a lot to the Year Without a Summer, and the ED is trying to commmunicate big spoilers about the giant squirrel.

This is also the sort of show where, when one of the knights tells his brothers that he thinks he's developed a crush on a eunuch (I said it was complicated), the part that weirds everyone out is he's attempting to form a relationship outside of his own social class.

The other is Tetsuryo! Meet With Tetsudo Musume, which is based on a line of toy figures but you would never guess that from the show so far. It's about a young woman starting college and winding up in the Railway Travel Club, leading to excursions and lots of interesting train facts. (This week: a visit to the westernmost train line on Honshu, which uses physical tokens in place of an interlock mechanism!) I would not recommend this show to anyone who isn't a fan of either trains or the chill travel genre, but I'm having a blast.

The other show I checked out was #I'm Looking for a Zombie. The kids are nice enough but it had too many ogling camera angles and as-you-know-Bob dialogue for my taste.

Follow Friday 10-16-26

Oct. 16th, 2026 07:14 pm
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith posting in [community profile] followfriday
Got any Follow Friday-related posts to share this week? Comment here with the link(s).

Here's the plan: every Friday, let's recommend some people and/or communities to follow on Dreamwidth. That's it. No complicated rules, no "pass this on to 7.328 friends or your cat will die".

neonvincent: From an icon made by the artists themselves (Bang)
[personal profile] neonvincent
I decided I didn't need this for 'The Food That Built America,' '30 for 30,' and other nominees at the Critics Choice Documentary Awards for World Food Day and National Sports Day.

Viable Paradise at Oak Bluffs

Oct. 16th, 2026 12:19 pm
sartorias: (Default)
[personal profile] sartorias
The weather has been delightfully cool, even dipping into cold (low 40s!) and I have met, and administers lots of scruples to, three very nice dogs.

Altogether a splendid send-off for my last year doing Viable Paradise (unless they end up needing a pinch-hit instructor, very unlikely)

Some typical sights on my morning walk. (If you like dawn shots, embiggen the last one--the glints of golden sun on the undersides of the clouds delighted me especially)



Marsh

dawn

I've been getting constant reports from home about the horrible heat and winds--my sister has had the power shut down to prevent wildfires, so no A/C, while I have been getting RAIN!

COVID Levels, 10/12/2026

Oct. 16th, 2026 10:45 am
choco_frosh: (Default)
[personal profile] choco_frosh
COVID Cases:
The number of cases in Massachusetts* for the week of Oct. 4–10 was 694. This is lower than the last time I checked (week ending Oct. 3), but still more than five times higher than levels July 5–11.

Over the same week, there were 56 confirmed cases in Boston, 6 in Cambridge, and < unknown > in Somerville.

* That's confirmed AND suspected cases, as reported here.


Wastewater Levels in Greater Boston: Around 185 V/PMMoV.** Verily.com is still describing this as "low" (and it is in fact down a bit from last week), but it's still more than twice the level we had back in August.

** As of 12 Oct. And that's "copies of SARS-COVID RNA per million copies of PMMoV (Pepper mild mottle virus) RNA in the wastewater", as reported here. The non-normalized figure is...still around 400 Bobcat-Robots?
mecurtin: a powerful wizard with glowing eyes and a magic cane (cane)
[personal profile] mecurtin
Because of my sciatica and our general aging, we have to leave this house--which is lovely, but there are *27 steps* from the parking area to the house proper. So I'm looking, and looking, and seeing a lot of houses that are *almost* what we want -- but there are a few interior stairs, like 2-3 steps.

Do any of you that are movement-impaired have experience converting a house with any interior steps to full accessibility? I don't use a wheelchair *yet*, but I want that to be an option for the future, and I often find myself using wheelchair options in public buildings -- ramps, automatic doors, etc.

I'm trying to figure out how much my search should weigh "no interior steps", you see. And trying not to get too depressed about how the search is going. Fortunately we have enough money & time not to make a snap decision, but ugh.

So I'm hoping for your advice.
sovay: (Claude Rains)
[personal profile] sovay
Before my week derailed like thirty thousand pounds of bananas, I blew my mind reading Harcourt Williams' Four Years at the Old Vic (1935).

As an actor, he's one of my elliptical favorites. He didn't get into film until his sixties and then mostly in small parts, but I have rejoiced for years every time I have caught him onscreen; he originated the role of Hebble Tyson in the original 1948 West End run of Christopher Fry's The Lady's Not for Burning and from the first time I saw him as one or another of his ineffectual or eccentric authority figures, he was no trouble to picture wishing to be alone with his own convictions. In his capacity as producer for four seasons at the Old Vic, however, he was off my radar almost completely until I looked into the claim that he effected a sea-change in the performance of Shakespeare on the British stage and the thing is that it seems to be true. His memoir is a delightful and mild-mannered grenade of ideas about theater that by virtue of history bending to follow him now look like common sense. By his own admission, when he was offered the job by Lilian Baylis in the spring of 1929, he was a peculiar choice: a forty-nine-year-old character actor with almost no professional experience directing for the stage, but the intensity and intelligence of his affection for Shakespeare made up for any shortfalls in his learning curve. He cared about the texts. He cared about communicating them to an audience. Until he turned the company over to Tyrone Guthrie in 1933, he got regularly shocked notices for stripping away as much of the received costume and business as he could afford on a perpetually straitened budget in order to engage with the plays themselves and not their pop-cultural accretion. He could do a straight, striking production of Julius Caesar or Macbeth, but he leaned more toward experiments in recontextualization that went beyond modern dress: a commedia dell'arte Taming of the Shrew, a Renaissance Antony and Cleopatra, an English masque of a Midsummer Night's Dream with incidental folk music by Cecil Sharp. He directed the five-hour coup of a then-uncommon full-text Hamlet. Inflexible on the subject of treating the verse as speech rather than affectation, he picked up the pace so much from the typically mannered style that his calling card of Romeo and Juliet was savaged by the critics as an Italianate gabble, but he never backed down on his philosophy, although he did panic about his notices to the point of trying to resign after the opening night of The Merchant of Venice, after which he began the sensible habit of saving them to read later and then just never getting around to it. He listened to his actors. Characteristically modest about his own achievements, he gives a refreshing amount of credit to all sorts of people in his memoir, from mentors and colleagues to members of the company and crew with whom he worked open-mindedly. He attributes most of his inspirations to Harley Granville-Barker, but at least manages to own the bridge-conceit of the spectacular Tempest that immortalized Leslie French. Actually the list of actors launched during his tenure reads like one of those supergroups in reverse; John Gielgud and Ralph Richardson may have been the most legendary of the men, but Martita Hunt was the darling of his leading ladies and he had the sense to poach Peggy Ashcroft after seeing her with Paul Robeson. Later additions to the company included Marius Goring, Valentine Dyall, Judith Furse, plus the return of Edith Evans and John Laurie. The Old Vic was where Michael Powell first saw and set his sights on Roger Livesey. When Richardson got a brutal sore throat during the run of Othello, Alastair Sim stepped in. Williams himself took the occasional part, like the distrait Charles VI in Henry V which he would reprise on film for Olivier; offstage he was a memorable character in his own right, a permanently disheveled vegetarian who as far as anyone could tell lived off wheat germ and cheese sandwiches and his nerves, cf. Eric Phillips:

In the late summer of 1929 a new producer strode into the rehearsal room of the Old Vic where the company were assembled for the first rehearsal of 'Romeo and Juliet'. Under one arm he carried a script of the play, under the other a wholesale-size tin of a well-known tonic beverage. He was wearing a white shirt, open at the neck, with sleeves rolled back above the elbows, and a pair of old flannel trousers. His untidy hair literally stood on end and his eyes shone with fanatical enthusiasm [. . .] I looked at the tin of tonic food which Harcourt Williams had presumably brought with him to soothe his nerves, and I wondered at the moment whether it was his nerves or ours which needed soothing.

or Ralph Richardson:

Harcourt Williams was our director and our mentor; everybody who worked with Harcourt Williams remembers him with great affection. Somehow he had the faculty for getting the best out of everybody. How he did it, I don't know. It was a kind of secret magnetism. He never bullied, he never worried you, he found out what you could do best and brought the two bests together. He himself was a terrible bundle of nerves. He was always eating Bemax in the stalls and rushing up and down and pulling his hair; but he made us calm, he took all the calmness out of himself. A very unselfish and delightful fellow.

or Harcourt Williams:

In spite of all difficulties the first performance on Saturday, September 14th, went without a hitch. At least so it was reported to me, for I saw nothing of it. Remembering a dictum of Granville-Barker's that a producer can do nothing on the first night and had much better stop away, I spent the evening turning out a cupboard in my office. It was a dirty job, but it kept me busy until I had to turn out for the critic of a Sunday paper who had to write his notice in the interval in order to get it in to his paper in time. If I recollect it was not a particularly flattering review, and I felt that as he had used my very pen he might have been more merciful, but no doubt the distracted individual with grubby hands meant nothing to him!

He had been a conscientious objector during World War I, although he mentions it only in the passing of a reproach from Lilian Baylis over his attempted resignation; he may have been as self-deprecating as the next memoirist, but he wouldn't have done the theater he did without a seriously stubborn core. He introduced Shaw into the repertoire of the Old Vic by writing directly to the author, much as he got advice once from John Masefield on the technical business of a shipwreck for The Tempest. He introduced Sheridan and Goldsmith and Molière. He staged a Knight of the Burning Pestle that I would like to borrow the time machine for, now that you ask. He wrote skits for the annual Birthday Night and was thrilled by the reactions of London council school students to the special matinées. His request that the audience not strike matches during the performance suggests that he would have thrown a rod over cellphones. For the very last production of his last season, he yielded to the temptation of playing—successfully—Prospero. I can't find that he directed further. He didn't break his actor's staff; he did stage work until close to the end of his life and left the late, weird record on film by which I worked my way back to him, inspired by his overproof quotations in Brighton Rock (1947); and I had read so much about the Old Vic under Guthrie, but the groundwork for all that iconoclasm does look like Williams who tilted at every tradition he could find except the one where Shakespeare mattered. I might love him just for the fact that he made Ralph Richardson who shied from romantic, heroic roles as badly as Julian Fleming play Prince Hal and Henry and live with having been a hit. He encloses samples of his wife's rehearsal notes in his book and a candid snap of himself being walked off his feet in the Malverns by George Bernard Shaw. I still wish I'd seen him in Christopher Fry.

The Jamming Chefs!

Oct. 15th, 2026 08:35 pm
neonvincent: For posts about cats and activities involving uniforms. (Krosp)
[personal profile] neonvincent
linky: Qifrey and Olruggio grasping each other's hands and making a promise. (Wha: Orufrey - Vow)
[personal profile] linky posting in [community profile] anime_manga
Fandom: Witch Hat Atelier
Author/Artist: [personal profile] linky/[archiveofourown.org profile] linkily
Title: For Just A Moment
Pairing: Qifrey/Olruggio
Rating: G
Word Count: 300
Summary: Qifrey kept asking Olruggio to take a break, but he wouldn’t listen. Things will be different this time.
A/N: Written for [community profile] seasonsofdrabbles, contains manga spoilers.

Read on Ao3, Read on DW

Tishri 5787

Oct. 15th, 2026 04:16 pm
liv: In English: My fandom is text obsessed / In Hebrew: These are the words (words)
[personal profile] liv
On one level I don't have much to say about the Jewish festival season this year. I'm getting to the point where I'm pretty good at running even complex services without much angst. But at the same time I do want to record this experience, and this year was different again like every year is different.

( A full month )

So, I've made it to Cheshvan, the blessed month of no festivals at all. College is going well, I love my teachers and my fellow students, including a truly delightful new intake. I will be quite glad of a half term break the week after next, though.

Text and Command Lines

Oct. 15th, 2026 08:33 am
armaina: armaina (taithal no u)
[personal profile] armaina

It is so difficult to get others to understand my struggle with recollection with a sequence of letters and numbers, especially people in the tech field when I try to describe my issues with the command line. I keep being talked at that repetition and familiarity are what I need and it works for everyone and I just want hold their face and look at them like 'no. no it doesn't'.

And I'll have people point out 'well you write dialog well' and 'but you code HTML/CSS in text' and it's like... I desperately need you to know it's not the same.

You know why I am so good at dialog? Because the characters are having audible conversations with one another in my head. And when I'm reading, it's converted into 'sound' in my head, it doesn't remain text. It's easier for me to remember the concept and context of a thing, the idea of a thing, than the literal words used to express that thing.

When writing, it's easier for me to write dialog than descriptions because dialog sits in my mind back as audio, even if it's made up, and there's a direct translation of audio to words. But descriptions sit in my mind as pictures and feelings which does not have a direct literally translation. Sure I can list out the objects as they exist, but that isn't exactly very narratively compelling.

And when I'm writing HTML/CSS, I heavily rely on cutting and pasting, autofill, not to mention visual differentiation and indenting to make sure I don't loose my place. But almost none of it I can do from memory. There's a reason why I use Phoenix Code, and not like, notepad, I don't think I'd be near as good at it if I did.

You want to know how I remembered Phone Numbers as a kid? I remembered the dial tone sequences. I could be in a situation where I would not be able to repeat the phone number back or write it down, but get me in front of the phone and i touch the keys and hear the tone and then I remember the sequence without even looking at the numbers. I feel like my brain works in Raster and coding and command lines expect me to work in Vector. Like I know the approximation or idea of the thing, but I don't have the actual file, like the difference between a text file and an image of a text file.

And this makes the command line a nightmare.

For Example, this is the steps one has to take to add a new website to Apache.

sudo mkdir -p /var/www/domain.com/public_html
sudo chown -R $USER:$USER /var/www/domain.com/public_html
sudo cp /etc/apache2/sites-available/000-default.conf /etc/apache2/sites-available/domain.conf
sudo nano /etc/apache2/sites-available/domain.conf
sudo a2ensite domain.com.conf
sudo service apache2 restart

I absolutely cannot remember this sequence if I were to write it all from scratch without a reference. And its not because I don't understand what is happening, I know exactly what it does!

  1. Make a new directory
  2. Change the owner of said directory to the user account
  3. Copy and paste the default conf file to make a new one for a new domain
  4. Edit the new conf file using Nano
  5. Initialize the new site config
  6. Restart Apache

The problem is, if I were to write all these out from memory it starts to become something like this:

sudo makedir -p /var/www/domain.com/public.html
sudo chown $USER /var/www/domain.com/public_html (this step can often be forgotten entirely)
sudo c p /apache2/sites/default.conf /apache2/sites/domain.conf
sudo nano /apache2/sites/domain.conf
sudo a2??site domain.com.conf
sudo service apache2 restart

And that's on a good day!!!! It feels like how it feels when I'm being asked to spell something without writing it down. Which may I point out, I've been historically very bad at spelling. It is extremely common for me to remember the vague approximate of the letters that exist in the pile of the word but completely loose track of where they are in the sequence they exist. The very act of writing feels like sentence that float above my head that I have to keep leaping up to pull it back down a letter at a time before it disappears from me entirely. It took me till my 30's before I could spell Necessary correctly without spell check, and even then I can't spell it without a visual in front of me.

So once you start getting into commands where it's like ` -u dphp -p` Man like.. I can't.. I can't remember that

d's can be easily mis-remembered as b's, h's, p's can be easily mis-remembered as q's a's o's depending on the text and some letters can be just completely forgotten in the sequence entirely.

In an environment like the command line where there is no room for error, that it must be exact and perfect every time, file paths must mirror 100% what exists it is an active source of stress for me to use the command line. I have to switch my brain into the OCR gear that barely functions. And there is nothing there to remind you or autofill or suggestion when you're typing, something that would remind me the things I'm forgetting, something I rely on heavily when I'm coding in HTML/CSS.

You know how I write anything? How I write this post? How I code? How I write scripts. I jump around! I started in the middle, worked at the beginning, I add to the end, I move things around. I do the same with HTML, too. I edit non-linearly

The command line, is live. There's no previews, no double checking, once it's in, it's in. And if you screw up, sure you MIGHT be able to fix it, but in MANY cases, you can't or might not know there's anything TOO fix until you're so deep into it you don't know where you made the mistake. Deleting files/directories is the most NERVE RACKING thing you can do on a command line, I wish I could do that visually x_x

I know a possible solution to some of this is to get a different shell to do the command line interfacing from, but I don't even know what to use and if any of them has like.. a guide to tell me what it will do before I commit the line to active? like 'these commands will result in this happening' sort of feedback, I'd feel a lot less lost with something like that. x_x

Thankful Thursday

Oct. 15th, 2026 10:06 am
mdlbear: Wild turkey hen close-up (turkey)
[personal profile] mdlbear

Today I am thankful for...

  • My new pillow. Not perfect, but better than what I had. I think -- this is based on only one night with it.
  • The World Wide Web. I don't think I've ever put the Web in a gratitude post before. Fish, meet water.
  • My new-to-me refurbished Logitech Anywhere MX 2 mouse, which arrived a day or two ago from eBay to replace the one whose scroll wheel stopped working.
  • Related, my pretty new Starry Night mouse pad. It's a bit smaller than my old one, so it fits better on my desk.
  • My sling bag and (formerly Colleen's) scooter cape, both of which can be put on and taken off without having to move my right arm in ways that hurt my shoulder. NO thanks for whatever is wrong with the latter.

I would be more thankful for sleep if I was getting enough of it.

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canyonwalker

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