canyonwalker: Sullivan, a male golden eagle at UC Davis Raptor Center (Golden Eagle)
Last week I finished watching The Pacific with episode 10, "Home". As episode 9 ended with soldiers on Okinawa hearing about an atomic bomb dropped on Japan, the combat is all over. This episode traces the stories of the viewpoint characters as they return home.

Eugene Sledge, Bob Leckie, and some of their immediate cohort don't return home until months after the conclusion of the war. The series doesn't address why this happened, just that it was. A viewer who didn't know otherwise may think it was just because it took months to demobilize and transport some of the men home. I know otherwise from family stories about my Great-uncle John, who served in the Pacific and fought in some of those horribly brutal battles.

"...Plus 6 Months"

Soldiers like John arrived home 6 months later not because, oops! their ship across the Pacific got lost and had to stop for directions or somesuch. The military held some of the soldiers on bases for a few months before allowing them to return home. In the months-long battles in places like Okinawa, Iwo Jima, and Peleliu the soldiers lived like savage animals. The base duty was for reintegration. They'd get re-accustomed to getting showers and hot meals, putting on clean clothes every day, not jumping out of bed and grabbing their rifle in the middle whenever something went bump in the middle of the night, etc.

Curiously the show addressed the legal basis on which this reintegration assignment rested with mentioning the reassignment itself. When soldiers enlisted or were drafted their term of service was "The war plus 6 months." Presumably that "plus 6 months" bit was added in case new hostilities flared up after the end of the war or military resources were required for rebuilding.

It was First Lady Eleanor Roosevelt's idea, my grandma (John's sister) and my dad told me, to use the "plus 6 months" term to help transition soldiers who saw the worst back to civil society. My family also tells me that John hated it. He just wanted to be back with his momma sooner. 😅 Friends of mine I've shared this story with who are family of soldiers who served in Iraq and Afghanistan told me they wished such a thing was done for their loved ones.

But back to the show and its story....

Some Swing Quickly into Post-War Life...

Sledge and Leckie are among those who arrive home later than most other soldiers. Leckie is a character I thought might struggle with returning to civilian life. Instead he walks back into the newspaper office where he used to work and demands his old job back, plus a raise. He makes the case with such clarity and confidence the editor agrees.

Leckie does mope a bit when he sees that his sweetheart, the across-the-street neighbor Vera who barely ever gave him the time of day that he wrote lots of letters to while fighting the war, is dating another soldier already. "He's an officer!" Leckie's mom her oh-so-helpfully points out. "And look at the size of his car!"

Leckie takes charge in that situation, too, going across the street to ask her on a date. Vera's mom is just as standoffish as Vera. "And whom shall I say is here?" she asks. "I'm Bob Leckie, the kid who's lived across the street from you for 20 years."

Leckie stands undaunted by her frosty reception. He's also undaunted by the arrival of the other soldier, the officer, who already has a date with Vera that evening. The officer tells Leckie to get lost. Instead Leckie is like, "How about tomorrow night, Vera?" The officer, a young 2nd lieutenant commissioned only after the end of the war, throws a snit fit, insults Vera, and leaves. Leckie takes her out for dinner. Crawl text at the end of the episode tells us they married and lived happily for many years.

...Some Struggle to Get On with Life

Eugene Sledge returns home to Mobile, AL to find his best friend, Sydney Phillips, already enthusiastically adjusted to post-war life. Sydney, who was discharged quickly is already engaged. To Sledge's amazement it's to a woman all the young men in town had considered the most eligible bachelorette.

Sledge, meanwhile, struggles to find his direction. He's not interested in the young adults' party scene, even though it's plenty active with all the young men home from war and the women eager to be courted again. Sydney encourages Sledge to put on his uniform and meet people, telling him his combat experience will make him more attractive in the dating scene than those who "flew a desk." But Sledge doesn't want to wear his uniform ever again or talk about it. He wears a nice suit and tie instead. And when people ask him about his service he says clumsy, off-putting things. The reason he doesn't want to talk about it is it hurts.

Sledge suffers even at home. His family has money and a nice house, his father being a doctor. So he's not under pressure to get a job to support himself. ...Which is good, because he suffers from things like night terrors. In one scene he's tossing in bed screaming while still asleep. His father, the doctor, sits quietly outside his door.

In another scene, Sledge is lounging under a tree in the yard when his mother comes out and criticizes him for being an idler. Sledge gives her a blank stare. His dad admonishes her to go easy on him. The reason for this gender role reversal, nurturing dad and get-off-your-lazy-ass mom, is hinted at in a scene several episodes earlier. Sledge explained to his squad mates that his dad is a doctor who treated soldiers returning from WWI. He saw the horrors of war and how they stuck with young men. That also casts a different light on his efforts to stop Eugene from enlisting in the first episode.

Sledge is the character who most makes me think of my great-uncle John. John never wanted to talk about the war or his service, never wore his uniform again even in situations where it would've been advantageous to, and took a while to find his direction after the war. Eventually John took a job with a big insurance company whose headquarters were in the nearby city. He worked there until the day he retired. Sledge, the series tells us, went to college, earned a Ph.D. in microbiology, and spent his career teaching. Oh, and Sydney Phillips earned an M.D. and worked as a doctor in the community.

canyonwalker: Sullivan, a male golden eagle at UC Davis Raptor Center (Golden Eagle)
Episode 9 of The Pacific, "Okinawa", follows very much in the footsteps of the previous episode, "Iwo Jima". Historically the two campaigns were pretty much one right after the other. Each entailed weeks of pitched battles.

Brutal combat has been the norm across this series. In Okinawa it reaches a new level of brutality. American soldiers are shocked and dismayed to see Japanese soldiers using the local civilian population as human shields... and worse, as human bombs.

Eugene Sledge is the main viewpoint character in this episode. Sledge, previously the mild mannered new recruit from a genteel family in Mobile, Alabama is now the grizzled combat veteran showing the newer recruits how to survive in brutal combat. The new level of brutality really gets to him, though; particularly seeing civilians exploited as human shields.

The episode ends about 6 weeks after the Battle of Okinawa is concluded. The Marines still on the island are climbing up on trucks to be sent somewhere else. An officer tells them, "They dropped some new kind of bomb" that destroyed an entire city. That would be the atomic bomb dropped on Hiroshima, Japan on August 6, 1945.

BTW, some historians hold that the brutality of combat, and the Japanese Army ethos never to surrender, seen on Okinawa influenced American military leaders to drop the bombs. Prior to those bombs the plan had been to use Okinawa's harbor and airfield as an critical launching point for an assault on the Island of Japan that would involve 3,000,000 US soldiers.



canyonwalker: Sullivan, a male golden eagle at UC Davis Raptor Center (Golden Eagle)
Recently I watched episode 8 of The Pacific, a 10-part miniseries about WWII on HBO Max. The episode is entitled "Iwo Jima" and chronicles the major battle there between US Marines and the Japanese Army in 1945. The series originally aired in 2010.

Medal of Honor recipient John Basilone reenters the plot in Iwo Jima. He's tired of hucking war bonds and partying with Hollywood starlets and asks to return to war. "That's the spirit that makes me proud to be a Marine," the general says as he assigns him to train the next wave of marine recruits at Camp Pendleton before deploying with them to the Pacific.

Two spoilers about John Basilone that are historically accurate )

As with most of the episodes in this miniseries, the fighting depicted in this episode is brutal. The Marines are under nearly constant fire from machine guns, artillery, or both as they struggle to wrest control of this tiny island— "Only 8 square miles," the narrator notes at the beginning— from the Japanese. If you're triggered by watching people get mangled by guns and explosions, don't watch this episode. Actually, don't watch this whole series. 😧

One... odd... thing about Iwo Jima is that the writers don't include a scene of possibly the most iconic thing from that WWII military campaign, the raising of the US flag there. You may not know it by the name Iwo Jima (the full name is Raising the Flag on Iwo Jima) but if you've studied WWII history at all you've probably seen this classic photograph made by Joe Rosenthal of the Associated Press:



(Link on picture is to Wikipedia page about it.)

A sculpture based on this photograph was commissioned as the US Marine Corps War Memorial and placed in Arlington National Cemetery. Replicas of it are also placed at the entrance to some Marine Corps bases, such as Quantico and Parris Island. The image has been reproduced in countless works of civic art, as well, including commemorative coins and postage stamps.

All I can figure is that as indelible as this image is in 20th century US history, the writers felt it's so overdone that it wouldn't make sense to include it. OTOH, I think it would have made the emotional climax that the writers failed to achieve in the spoiler I mentioned above. I know I would have choked up watching a portrayal of soldiers raising that flag after watching so many of their comrades dying to make it possible.



canyonwalker: Sullivan, a male golden eagle at UC Davis Raptor Center (Golden Eagle)
This week I've continued watching The Pacific, a 10 episode miniseries about WWII. In many ways it's a companion piece to Band of Brothers, the critically acclaimed miniseries about US Army paratroopers (the storied 101st. Airborne) fighting in Europe. Among the ways they're similar is that both have Steven Spielberg and Tom Hanks as executive producers. They're different, though, in that while Band of Brothers was critically acclaimed and I found it engrossing, The Pacific has routinely fallen flat, marred by frequent lack of a compelling storyline and/or sympathetic characters to follow. Why do I keep watching it, then? I guess I keep hoping it will get better. And in episodes 5, 6, and 7, it kind of does.

These three episodes, the broad middle of the series, tell the story of the Battle of Peleliu. If you paid attention during WWII history class and don't remember that name or location, that's one of the most important points about the Battle of Peleliu. But it's not one this series makes, except only in brief, passing reference later.

Colossal Intelligence Failures

At Peleliu Island, the 1st, 5th, and 7th Marines are sent to capture a Japanese airstrip. The military's plan is that it's a critical toehold to support an invasion of the Philippines, which will then be the crucial launching point for an assault on Japan to win WWII.

The military's plan is also that securing this island will take just a few days. Military intelligence is that there are only a few thousand Japanese soldiers defending the island, greatly outnumbered by the tens of thousands of US soldiers committed to the operation. On that mark the military intelligence was wrong, though "only" by 2-3x. There were 10,000 Japanese defenders.

The far bigger intelligence failure was in assessing how well prepared the Japanese defenders were. They had built heavy fortifications, including an extensive network of tunnels in natural caves in the coral ridge that overlooked the airfield. They were so well defended in these positions that it ultimately took more than 2 months to defeat them, and the US experienced brutal attacks and heavy casualties in doing so.

One Side Learned, One Side Didn't

Part of what happened here, though the series doesn't say it— I figured this out from reading up on the history myself— is that one side was learning, one side wasn't. The Japanese were the side that was learning.

In defending previous island assaults, the Japanese would fight Americans on the beach, trying to repel the landing. Japanese generals saw that this was ineffective. Among other things, it left their soldiers exposed to powerful attacks by naval artillery and heavy machine guns. Japanese leaders also saw that the notorious "banzai assault" was too costly. While it had strong shock value at first, once Americans started anticipating it they were able to inflict heavy casualties against charging infantry with their rifles and machine guns.

At Peleliu the Japanese pulled all their defenses back. They hid in bunkers and fortified caves. They built these hideouts to resist common patterns of attacks by rifle fire, artillery, and grenades. The Japanese also practiced excellent fire discipline. They held their fire during artillery and bombing attacks, as rifle fire does pretty much nothing against air and naval assault except confirm the defenders' location. As a result the US Navy thought that after 3 days of bombardment before the amphibious assault they had largely destroyed the Japanese defenders... when in fact they had barely touched them.

Brutal, Brutal Fighting

Fighting in the Battle of Peleliu was brutal from start to finish. ...And again, that finish took more than 2 months. One respect in which the writing of these episodes was good is that it doesn't reveal up front how long the fighting would last. That immerses us viewers in the characters' developing sense of dread. "Alright, men, let's do this!" turns to "Shit, this is hard," to "OMG, is this ever going to be over?!" to "I hope when they kill me I get to die quickly."

Just capturing the airfield took 3 days of brutal fighting. The Japanese soldiers remained in their well fortified positions and held their fire (part of fire discipline, mentioned above) until the Americans were close enough for maximum damage.

While a lot of US Marines were able to land on the island they were not able to establish any kind of beachhead or organized position. That meant they couldn't get supplies in. The weather on Peleliu was brutally hot, with daytime temperatures surpassing 105° F (40° C). The Marines couldn't even get water. Overheating and dehydration contributed to the Marines suffering enormous losses.

Even once the airfield was captured it wasn't actually secured. There were still significant Japanese defenders in the hills overlooking the airfield. They'd fire on US soldiers from well fortified positions by day and stage spoiling raids by night. The US had to find each defensive area and basically pry them out. That took a long time— that's where the battle stretched from several days to 10 weeks— and came at enormous cost of casualties.

Never Have So Many Paid So Much for So Little

I remarked near the start of this blog that it's unsurprising if you've never heard of the Battle of Peleliu even if you're familiar, by name if nothing else, with other major WWII Pacific battles such as Guadalcanal, Bataan, and Iwo Jima. That's because while Peleliu was a major battle, in terms of effort expended and lives lost, it was ultimately a pointless battle. The US military did not use Peleliu for staging and attack or defending the flank while invading the Philippines. In fact they never even used the airfield after securing it.

The US suffered 10,000 casualties in the Battle of Peleliu. That was just over 20% of the total forces committed. Among the Marines, though, the casualty rate was much higher. The 1st Marines suffered an astonishing 71% casualties. Those men were put through a meat grinder... and ultimately for nothing.

This is a reality of history that this TV miniseries makes only passing mention of. It's, like, one sentence of voiceover narration, and it's not even until the intro of the next episode.

But Is It Good TV?

Ultimately while this trio of episodes are better than the few before them, they still fall well short of being great TV. Partly that's because the screenwriters and directors continue to struggle with the fundamentals of visual storytelling. The visuals themselves are beautiful, but the story is too hard to follow. There are too many characters, and frankly they all look the same in identical shirts and helmets with blood and sweat and grit smeared on their faces.

What's good about these 3 episodes, then? They're engrossing for their frenetic action. It seems like there's never more than a few seconds of screentime between someone shooting or being shot at. The characters all become sympathetic because they're living through hell. When a soldier breaks here, you feel for them. And the men who've been assholes to each other for several episodes start looking after each other instead of looking for opportunities to pick on each other. ...Well, mostly. One guy gets ragged on by his whole squad for shitting himself in an ambush.

So, is it good TV? Ultimately no. And the reason isn't just the fundamentals of good plotting and characterization. That's part of the problem. The other part of the problem is the whitespace in these episodes, the things they don't address. Yes, Peleliu was brutal; we see that in High Definition. But it was also pointless. Some war leaders knew that. Some leaders knew that and they were overruled. The media was distracted by other things, so this story of wasted lives was barely reported. Could this have been avoided? Were any lessons learned? The show doesn't address that beyond a single sentence. A single sentence after 3 episodes. Almost everything I've written here, these 1,000+ words, is from research the episodes prompted me to go and do on my own. It's a sad statement that a TV show's most important contribution is that it prompted me to go somewhere else to understand what really happened.
canyonwalker: wiseguy (Default)
I binged into episode 4 of The Pacific right after watching episode 3, which was kind of a letdown. My hope was that the action would pick back up in ep. 4 and it'd thus be way better than the dead-end love story that filled most of ep. 3. Alas it was only a little better.

In episode 4, "Gloucester/Pavuvu/Banika", the marines redeploy from Australia to their next combat mission. Time for some action driven plot, right? Eh, no. This episode is one of those "War is Hell" war stories. But instead of doing it really, really well— like Saving Private Ryan did with its intense opening act, or like this show's small-screen brother Band of Brothers did with its excellent "Bastogne" episode, the "War is Hell" theme here falls flat.

It falls flat for two reasons. First, the writers fail the Writing 101 lesson of show, don't tell. Instead of crafting a story around how brutal the environment is and how the soldiers struggled with it, they mostly tell us it was brutal and a struggle. In fact a narrator (I think it's Tom Hanks) literally tells us over stock footage. Lame.

Second, the episode's viewpoint character, Pvt. Bob Leckie, is not sympathetic. From late in ep. 3 we know he really doesn't care to be in the war. But unlike what made the darkest episodes of Band of Brothers great, Leckie isn't even motivated to tough through it by wanting to protect his fellow marines. Not only does the episode not show show action to contextualize Leckie's struggle, they just show Leckie being despondent. He's got a viral sickness, he's depressed (or "shellshocked"), and he doesn't care about anything. While I sympathize with his plight, it's hard to sympathize with him as a character. The seven deadly words ("Why do I care about these characters?") started echoing in my head.

Leckie is sent to a field hospital on the island of Banika to clear up his virus and get him back on his feet. The second half of the episode is Leckie at the hospital. He finds himself assigned to a mental ward. The doctor in charge assures him it's because the regular wards are full and he's just taking the overflow, but the story drops a few hints that maybe he was sent there on purpose to suss out whether he's really sick or just malingering. Alas it's never made clear enough.

At the hospital Leckie works on building relationships with the doctor, the orderly, and one or two of the clearly mentally ill patients. This kind of feels like episode 3's dead-end love story all over again, in that at the end of ep. 4 Leckie ships out from the hospital. The writers just wasted another 30 minutes of air time starting subplots that will never go anywhere. Also, one of the mentally ill soldiers, I believe it's Gibson, is more sympathetic in his 1 minute of screen time than Leckie is in 60 minutes. Gibson's genuinely hurting, and it's impossible not to feel for him. Leckie, by contrast, just seems like a bit of a malingerer.


canyonwalker: wiseguy (Default)
Last night I watched ep. 3 of The Pacific, entitled "Melbourne". Yes, it's been a few weeks since I've written about this miniseries. No, it's not just because my blog has been backlogged. I actually haven't watched the shows in almost 4 weeks. Frankly I'm finding this show much less compelling than Band of Brothers, which inspired it.

Episode 3, "Melbourne", is frankly an example of why this show is much less compelling than the other WWII miniseries. In this episode, the marines are stationed in Melbourne, Australia. to recover from the grueling Guadalcanal campaign shown in the previous 2 episodes and to wait for the US to produce & deliver enough weaponry for them to take on the next campaign. If that reads like it should be the crawl text in a quick montage that introduces the next combat-heavy episode, you're catching my drift. The problem is, that's the whole episode.

A few character-driven stories do occur here. Sgt. John Basilone, one of the viewpoint characters, is awarded the Medal of Honor. In case you don't know, it's the highest award for the US military. Two other viewpoint characters, Bob Leckie and Sid Phillips, both find girlfriends in Melbourne. While these could be compelling vignettes that convey larger issues rather than just character drama, the writers kind of whiff on that idea.

  • The story of Bob Leckie's romance goes on way too long, particularly in that it reaches an abrupt and very unsatisfying dead end. Plus, the sex scenes are gratuitous to the point of feeling wrong.

  • Sid Phillips' romance story errs in the opposite way. It's so short, basically just one scene, it's like, why even bother?

  • John Basilone's story could have been fleshed out a bit more. The writers only gloss over the character drama of the Medal of Honor recipient realizing that he needs to act like a war hero now; he can't go all drunken-cowboy around Melbourne like his buddies anymore. And he's being sent back home to sell war bonds. There's the opportunity for some serious Captain America energy here, portraying the soldier's frustration with being assigned a responsibility he thinks is way less important than what he can do by leading a squad in combat. But again, the writers only gloss over that.


Will I continue watching the miniseries after this? Well, I already did. I was bored last night and not ready to go to bed, so I clicked through to episode 4. I figured, maybe this one will get back to actual war. 🤣


canyonwalker: Sullivan, a male golden eagle at UC Davis Raptor Center (Golden Eagle)
It's my aim in writing about TV series such as The Pacific not to provide plot synopses but rather to discuss issues or ideas that each episode raises. Sometimes the latter entails a certain amount of the former to set the context.

There are two issues/ideas raised in episode 2 of The Pacific I'd like the address. The first is that war in the Pacific during WWII was brutal. This point was already made in ep. 1 with the Battle of Tenaru. Ep. 2 continues the lesson. Likely it will be a theme for the whole series because the war in the Pacific truly was brutal. A relative of mine fought there and saw it first-hand.

In ep. 2 the Marines are still on Guadalcanal. The Japanese army are still there, too. The Marines have moved to a different position, working to secure an airfield. The Japanese have moved again to another location. The Marines can only wait for their attack. And the Japanese do attack.

They attack again in overwhelming numbers, pouring out of the forest with seemingly no end. Even the Marines operating heavy weapons, the Browning .30 caliber machine guns, can barely keep up. Bodies of Japanese soldiers pile up so high in front of the machine guns that they form a wall the Marines can't see past. One soldier rushes out during a slight lull in the onslaught to push bodies out of the way.

The second issue/thought raised by the episode is inter-service rivalry. Yes, many books and movies about war depict some rivalry between the branches of the military. In this Marines-centric story the targets of scorn are the US Army. They're portrayed as soft and coddled. After the Marines have been on Guadalcanal for days, possibly even weeks, the Army are shown arriving with huge duffle bags and footlockers of personal gear. A few Marines steal their stuff, finding in an Army captain's footlocker such luxuries as a pair of leather moccasins and a box of fancy cigars.

This portrayal irritates me because I don't think it's true— and I know where it comes from. It comes from one person. There is basically one person in Hollywood who advises all war movies and games. I'm virtually certain you've seen him actually, even if you don't know who he is. (I'm not going to name him here.) Part of his standard contract is that he gets cast for an on-screen speaking part. Kind of like Stan Lee's cameos in Marvel movies, except Stan Lee was the creator, not a consultant. Anyway, this individual is a Marines vet and is overwhelmingly proud of his service. Part of his standard shtick in advising writers, directors, actors, and crew is that the Marines did the "real" fighting in WWII and the Army were mollycoddled. I know, because when I worked in Hollywood I received that training from him.

I also know, from my great-uncle John, that that viewpoint is inaccurate. John was Army, serving in the whole of WWII in the Pacific. Yes, Marines were often the first to land on an island, but the Army were not weeks behind; they were more like minutes behind. Sometimes Army landed first. The army were actually the vast majority of the soldiers. And they were not bringing the luxuries of home with them. They lived like animals. John's division was actually restricted to a base in the US for several months after the end of WWII. The returning soldiers had to be taught how to live as civilians again, not savages.

The one combat story John ever shared was one where his division landed first and the Marines came up behind. The overly proud Marines fired on the Army, assuming they were the enemy. "We were watching for the Japs ahead of us and the damn Marines started shooting us in the ass," John recounted. That was the one battle story he every shared from 4 years of combat. It was the least brutal.


canyonwalker: Sullivan, a male golden eagle at UC Davis Raptor Center (Golden Eagle)
It's been a few weeks since I started watching the miniseries The Pacific. I wrote one blog then got sidetracked with life. Fortunately I'm not far behind on blogging as I've only watched the first 2 episodes out of 10. This blog is about the remainder of episode 1, "Leckie/Guadalcanal".

After the character introductions I wrote about in my previous blog the episode shifts to marines being deployed to Guadalcanal in the Pacific in August 1942. A text overlay notes that this was the first time US forces in the Pacific went on the offensive. For months they'd been defending against Japanese attacks... and losing.

As the soldiers land on the island I noticed their gear, especially as compared to Band of Brothers. In particular Marines units have heavy automatic weapons. Browning .30 caliber machine guns are shown.

Soldiers with a Browning .30 caliber machine gun in The Pacific

Marines travel light... though not quite as lightly as paratroopers in the other series. This Browning gun is heavy. It's got a large water-cooled steel jacket around the barrel. One soldier carries the gun itself; a second soldier carries the tripod it mounts on. I think a third soldier carries extra boxes of ammunition for it. The Army paratroopers didn't have heavy automatic weapons like that.

It turns out heavy weapons like the Browning .30 cal were critical to the Marines' success. The Marines 1st Division lands unchallenged. Japanese forces occupying the island have pulled back, planning an ambush later. The Marines set up positions at the mouth of Alligator Creek near Tenaru Beach.

That night the Japanese attack in force. Wave after wave of Japanese infantry tries crossing the creek. The marines with rifles and handguns can't shoot them fast enough. The Japanese are starting to encircle the Americans. But the teams with Browning .30 cal machine guns blaze away, mowing down entire lines of enemy soldiers.

In the morning the Americans, victorious, survey the battlefield.

Aftermath of the battle at Tenaru Beach in The Pacific

There are dead Japanese soldiers, everywhere. The beach is strewn with dead bodies.

Historical records tell us that 793 Japanese soldiers were killed in the Battle of Tenaru. The Japanese Army units underestimated the American Marines. They were better defended, and had more powerful weapons, than the Japanese expected. The battle was brutal. Even finding themselves outgunned, the Japanese did not slow, retreat, or surrender. The Americans had to kill them to the last man.


canyonwalker: Sullivan, a male golden eagle at UC Davis Raptor Center (Golden Eagle)
Recently I started watching The Pacific, a WWII miniseries streaming on HBO+. Released in 2010, it's a companion to 2001's Band of Brothers. The writers are different but the executive producers are the same: Steven Spielberg and Tom Hanks. And, of course, the setting is different. Where BoB told a story of an army unit fighting in Europe, The Pacific follows various marines fighting in the Pacific theater.

The Pacific, a 10-part HBO miniseries about WWIIUnlike Band of Brothers, which I heard about more than 20 years ago and had on my mental to-watch list since then, I wasn't even aware of The Pacific until recently. It was literally when I watched BoB and popped up as "People also watched...."

My reasons for watching are twofold. First, I enjoyed Band of Brothers so I'm curious to see how this miniseries goes. I've set my expectations cautiously, though, since I'd heard nothing about The Pacific. The fact I haven't seen/heard any recommendations or discussions about it suggests that it wasn't as popular with critics or audiences.

My second reason for tuning in to The Pacific is a family connection. My great uncle John fought in the Pacific in WWII. John never wanted to share his war stories, though. They were too painful. I hope this series will let me look through a window onto what his service must have been like.

The first episode begins with backstories for a few of the Marines starting in the days and weeks following the December 1941 attack on Pearl Harbor. This identifies who the main characters will be better than Band of Brothers did in its first episode. We meet:

  1. Sgt. John Basilone, an NCO from New Jersey who'll ship off to the Pacific

  2. Robert Leckie, an aspiring writer/journalist who enlists in the Marines

  3. Eugene Sledge, a young man in Alabama who wants to enlist but is stopped by his father, a doctor, who diagnoses him with a heart condition that disqualifies him from service

  4. Sidney Phillips, Eugene's best friend, who enlists in the Marines

My uncle John could've been a young man like Leckie or Phillips in December 1941.


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